Transit of Venus, at the Bickford Theater in Morristown, revives a stereotype of women as subjugated objects of desire, making it difficult to believe that a woman actually wrote it.
Saviana Stanescus Aliens With Extraordinary Skills is an enchanting piece of theater, a paean to New York that just happens to include balloon animals.
Stephen Belbers enjoyable if flawed Fault Lines is part of a genre about vaguely homoerotic male friendship in which the towel-slapping banter usually hides much deeper divides.
A performer who was injured in the Broadway production of The Little Mermaid has filed suit against Disney and the companies that built the sets and motion-control systems.
Irenas Vow is the dramatization of the true story of Irena Gut, a Polish Roman Catholic who managed to hide 12 Jews in the cellar of a house occupied by a German major.
J. B. Priestleys Glass Cage has the feel of a play stitched together with bits and pieces of the playwrights pet peeves, though in this smooth staging the seams rarely show.
Anyone lucky enough to catch Laila Robins in A Streetcar Named Desire, currently at the Shakespeare Theater of New Jersey, will recognize a master at work.
After their children moved out, the composer Charles Strouse and his wife, Barbara Siman Strouse, found a new home on West 57th Street with space for their nicer things.
Though it features a buoyant score and a book that dances on the borders of bad taste, 13 ultimately feels as pre-processed and formulaic as High School Musical.